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Sandro Botticelli
Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

 

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Sandro Botticelli Portrait of a Woman oil painting

Painting ID::  10003

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Sandro Botticelli
Portrait of a Woman
1475Tempera on panel Palazzo Pitti, Galleria Palatina, Florence,
   
   
     

 

 

Sandro Botticelli Madonna and Child with Eight Angels oil painting

Painting ID::  10004

X 
 

Sandro Botticelli
Madonna and Child with Eight Angels
1478Tempera on panel Staatliche Museen Preubischer Kulturbesitz Gemaldegalerie, Berlin, Germany.
   
   
     

 

 

Sandro Botticelli Madonna del Libro oil painting

Painting ID::  10005

X 
 

Sandro Botticelli
Madonna del Libro
1480Tempera on panel Museo Poldi Pezzoli Milan, Italy
   
   
     

 

 

Sandro Botticelli Madonna of the Magnificat oil painting

Painting ID::  10006

X 
 

Sandro Botticelli
Madonna of the Magnificat
1480 Tempera on panel Galleria degli Uffizi Florence, Italy
   
   
     

 

 

Sandro Botticelli St. Augustine oil painting

Painting ID::  10007

X 
 

Sandro Botticelli
St. Augustine
1480. Fresco. Ognissanti, Florence, Italy
   
   
     

 

 

Sandro Botticelli The Virgin Adoring Child oil painting

Painting ID::  10008

X 
 

Sandro Botticelli
The Virgin Adoring Child
c.1480-1490 Tempera on panel National Gallery of Art, Washington
   
   
     

 

 

Sandro Botticelli Primavera oil painting

Painting ID::  10009

X 
 

Sandro Botticelli
Primavera
c.1482 Tempera on panel Galleria degli Uffizi Florence, Italy
   
   
     

 

 

Sandro Botticelli Virgin and Child Enthroned between Saint John the Baptist and Saint John the Evangelist oil painting

Painting ID::  10010

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Sandro Botticelli
Virgin and Child Enthroned between Saint John the Baptist and Saint John the Evangelist
1484. Tempera on panel. Staatliche Museen Preubischer Kulturbesitz Gemaldegalerie, Berlin
   
   
     

 

 

Sandro Botticelli Venus and the Three Graces presenting Gifts to Young Woman oil painting

Painting ID::  10011

X 
 

Sandro Botticelli
Venus and the Three Graces presenting Gifts to Young Woman
1484-1486. Fresco, transferred to canvas. Louvre
   
   
     

 

 

Sandro Botticelli A Young Man being introduced to the Seven Liberal Arts oil painting

Painting ID::  10012

X 
 

Sandro Botticelli
A Young Man being introduced to the Seven Liberal Arts
c.1484-1486. Fresco, transferred to canvas. Louvre,
   
   
     

 

 

Sandro Botticelli Birth of Venus oil painting

Painting ID::  10013

X 
 

Sandro Botticelli
Birth of Venus
1485 Tempera on canvas Galleria degli Uffizi Florence, Italy
   
   
     

 

 

Sandro Botticelli Madonna of the Pomegranate oil painting

Painting ID::  10014

X 
 

Sandro Botticelli
Madonna of the Pomegranate
1487 Tempera on panel Galleria degli Uffizi Florence, Italy.
   
   
     

 

 

Sandro Botticelli Cestello Annunciation oil painting

Painting ID::  10015

X 
 

Sandro Botticelli
Cestello Annunciation
1489-1490. Tempera on panel Galleria degli Uffizi Florence, Italy
   
   
     

 

 

Sandro Botticelli Holy Trinity with Mary Magdalene St. John the Baptist and Tobias and the Angel oil painting

Painting ID::  10016

X 
 

Sandro Botticelli
Holy Trinity with Mary Magdalene St. John the Baptist and Tobias and the Angel
1491-1493. Courtauld Institute Galleries,London,UK
   
   
     

 

 

Sandro Botticelli St. Augustine in Cell oil painting

Painting ID::  10017

X 
 

Sandro Botticelli
St. Augustine in Cell
c.1490-1494 Tempera on panel Galleria degli Uffizi Florence, Italy
   
   
     

 

 

Sandro Botticelli Madonna de Padiglionel oil painting

Painting ID::  10018

X 
 

Sandro Botticelli
Madonna de Padiglionel
1493. Tempera on panel. Pinacoteca Ambrosiana, Milan, Italy
   
   
     

 

 

Sandro Botticelli Lamentation over Dead Christ oil painting

Painting ID::  10019

X 
 

Sandro Botticelli
Lamentation over Dead Christ
1495 Tempera on panel Museo Poldi Pezzoli
   
   
     

 

 

Sandro Botticelli Madonna and Child and the young St. John the Baptist oil painting

Painting ID::  10020

X 
 

Sandro Botticelli
Madonna and Child and the young St. John the Baptist
c.1490-1495. Tempera on canvas Palazzo Pitti, Galleria Palatina,Florence
   
   
     

 

 

Sandro Botticelli Virgin and Child with the Infant St. John. After oil painting

Painting ID::  10021

X 
 

Sandro Botticelli
Virgin and Child with the Infant St. John. After
1500. Tempera on panel Dresden Gallery Dresden, Germany
   
   
     

 

 

Sandro Botticelli The Virgin and Child The Virgin and Child The Virgin and Child with John the Baptist oil painting

Painting ID::  10022

X 
 

Sandro Botticelli
The Virgin and Child The Virgin and Child The Virgin and Child with John the Baptist
Tempera on panel Louvre,Paris,France
   
   
     

 

       Prev    1  2  3  4  5  6  7  8  9  10     Next

 

Sandro Botticelli
Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s